Kuumba Freeque is performing at The Standard this Friday. You already know that. Here’s one of the tracks that we hope to hear them perform. From their newly released EP, “The Byrth / The Krucifixion”

Kuumba Freeque – “SupaHero”

All hype aside, V-Zilla could honestly be the the most tenacious, driven person that i’ve ever met. He’s a virtual one-man street team. I met him (or rather, he approached me) years ago when he was in the process of releasing his E.X.H.A.L.E. CD. I listened and liked it, and soon thereafter talk of his album started popping up all over the place. I thought – “Wow, this guy has a really good street team.” I would soon discover that he was the street team. I obviously wasn’t working hard enough.

In the years since, he’s released a number of projects and toured the world on his own merits, and is preparing to release a slew of projects later this year. Get To Know the one who calls himself The Monster, V-Zilla.

March 14, 2010. Michele opens her spellbinding set.

Concise performs the King Coz-produced “Playing Marbles With The Planets” at The WOW on March 14, 2010

The song that inspired the name of the event… “The WOW” features Damien from The Legendary KO. Performed by Radio Galaxy on March 14, 2010

HISD performs “Lando”, the lead single from The Weakend. Footage captured March 14, 2010 at The WOW showcase in Houston, TX

Performed at “The WOW” on March 14, 2010. From their upcoming project entitled “_____ _______”. This is Scottie Spitten’s (From HISD) favorite song this year. That’s a direct quote. That’s Scottie sticking his head thru the backstage curtain.

Footage from a recent show that finds us performing crowd-favorite “Untitled” from the Universal album. Tough crowd that night, but we still did our thing. Appearances by D Rose and The Niyat. Filmed by (DJ?) Remix.

D. Rose – “Revolution”

From the album Taster’s Choice

Written by: D. Rose

Produced by / Cuts by: DJ Cozmos

Directed by: Damien Randle

From Damien -

My wife burst into the room as I was touching up the final edits on the video. I immediately hit her with “What the hell is wrong with you?”

“Who’s doing the scratches on that song?”

“Coz.”

“Really? Coz?”

“Yes. Coz. He’s been a DJ all his life. He’s pretty good at doing cuts.”

“You don’t have to be an ass!”

“……….”

“Anyway, his scratches sound FABULOUS! I miss hip hop like that.”

Coming from my wife, that says a lot. If there’s one thing that’s indicative of hip hop, it’s the sound of a DJ moving the record back and forth in a rapid succession that creates the sound that we know as “the scratch”. And even though I was being an ass to my wife, I have to admit that there is something about the sound of some good cutting that puts me in a good place when it comes to listening to hip hop. It’s all but extinct in most music we hear today.

All of this brought back memories of the long days in my home studio where Tasters Choice was crafted. D Rose would make the 60 minute commute from the northside to write and record his vocals; Coz would lug his MPC into the room with a crate full of disks, disks that contained every track in his arsenal. I can’t even tell you how many we all listened to before they settled on the choice cuts that would become the album.

I also thought about the night that Coz came through with the mixer and turntable, and we listened to record upon record to find the right cuts for the right track. It’s funny, because what you hear on the final version of “Revolution” might have been the 5th or 6th set of cuts that they decided on. The others were equally as impressive, but this set just brought it home. And before you ask – no – there won’t be a leak of the alternate versions. You’re listening to the version that was meant to be heard.

I admire D Rose’s work ethic as much as one can admire anything. After a few false starts, he found the resolve to put together an album that I feel is timeless in its own right.It’s rare these days to see an MC and a producer helm an entire project together. Think of Gang Starr; Pete Rock & CL Smooth; Kool G Rap & Polo and so on. In today’s world of albums littered with scattered offerings from so many “super producers”, it’s refreshing to hear an album that has a consistency and warmth that can only be created under these settings. I’m saying that and I was in the room the whole time.

When D Rose hit me up  for the video, he said that he wanted something “simple and elegant”. No frills, no bells & whistles. And that’s what you have here: a clean, vibrant look into the soul of a man who stands alone, but is always in the company of others. The city of Houston serves as a beautiful backdrop to his narrative. This was the one video that he had to do above and beyond any other on the album. It may be the song that best defines who he is.

I hope you enjoy watching it as much as we enjoyed creating it.

-D-

From Peace Uv Mine:

Welcome to Space City…”

Questlove’s “group to watch…” H.I.S.D. returns with the first single ‘Lando’ from their forthcoming LP/Book project The Weakend. Click the image on the left for your FREE DOWNLOAD or copy and paste the following link into your browser:

http://hisd.peaceuvmine.com

Get Ur Space Up!

Get Your Space Up!!!

Yep – it’s coming! “Revolution” from D. Rose’s critically acclaimed “Taster’s Choice” album!

HoustonHipHop.Com caught up with the legendary Cut Chemist at the recent Red Bull 45 Spin event in Houston. Featuring appearances from The Are, DJ Sun, Brett Koshkin, and John Doe.

Friday, Dec 4, 2009. Lower Life Form performs at The Standard in Houston, TX and delivers a top-notch stage show. This clip contains the end of the show, where they perform “Run Go Get It”, along with a freestyle jam at the end. Drummer Eggy assures me that it was completely improvised. I believe him.

We’ve reached the halfway point of our week-long look at Lower Life Form. This footage is from a recent practice session, where they were working on “Story Of My Life”. The Standard is going to be unbelievable this Friday!

Full story after the jump:

Several months ago, I drove down to Austin, TX, where Lower Life Form was deep into recording their new album, their first with the live band. I can’t remember the name of the studio, but it was located in a pretty unassuming area of town; basically and old house that had been gutted out and reborn as a studio. A nice studio at that – but you couldn’t tell from the outside.

I arrived on the second day of their residency there, and immediately saw the trappings of a typical Low Life event: beer, pizza, and the bag of… what are those, brownies? I love brownies!

“Whoa whoa whoa whoa whoa – these are special brownies”, said Wayne, the bassist at the time. I understood what “special” meant.

“I’ll pass. The pizza isn’t special, is it?” To my relief, the pizza had not been altered. I dug in and enjoyed.

The bag of brownies began to make its rounds. I noticed that everyone was taking pretty small bites – no more than half a brownie. They all spoke of the “richness” of the brownies, and didn’t want to get carried away. That is, everybody except Brew. Brew reached in and grabbed two complete brownies – 4 times the recommended serving size. And it just went downhill from there.

Luckily for the band, they were only recording scratch vocals, so it didn’t matter if the MCs were all the way on point. As the rest of the band recorded music, Brew sweated away in his own vocal booth, although it was about 60 degrees in the studio. He began to speak his own lagnuage. His eyes were closed for much of the session. Durig their next break, Brew stretched himself out on the couch and became unresponsive, meeting each question with a series of primal grunts and moans. I don’t think he even remembers much from that day.

In this video, the members of the band recall Brew’s spiritual journey, courtesy of a bag of magical brownies.

-Damien-

In honor of Lower Life Form’s performance at The Standard this Friday, we’re spending an entire week with the guys. We’ve dubbed this first installment “The Low Life”.

Shot and edited by Damien Randle for Ethos Music Group.

In this special edition of “The KO Show Presents”, we spend a few hours in the laboratory of King Coz, and our sanity is tested. King Midas and DJ Cozmos cook up a beat from scratch.

Catch The original “Get To Know HISD” and more after the jump.

Get To Know… H.I.S.D. from Ethos Music Group on Vimeo.

Some time during the making of his Taster’s Choice album, D. Rose emailed me a track called “The Caper” that he wanted Big Mon and me to hop on. No problem. We wrapped it up in about 24 hours and got it back to him. When I asked him who made the track, he said “This kid named King Midas. He’s one of the producers for H.I.S.D.”

Again with these H.I.S.D. cats! I still hadn’t officially met the crew, but they were definitely making their mark on the scene. A few months later, I receive a call from Midas, introducing himself and askig if I’d be willing to write to a track that he just created for their Summer Sessions EP. I’m always down to write, and i’d heard nothing but good things about him, so I said YES with no hesitation. I wouldn’t discover until months later that Justin “8 Months” Lewis was the one that referred him to me. Midas was looking for guest spots on the song, and after running through a laundry list of talent, 8 Months suggested that he let me take a crack at it. The rest is history. “Summer So Good” was created.

In the time since, i’ve probably spent more time around him than any other musician around here. King Midas is a fascinating study, because he epitomizes the term “student of the game”. It isn’t simply enough for him to know whether something sounds good or not; he needs to understand WHY. I’ve only seen 2 or 3 other producers that are as meticulous at music creation as he is. One of them is DJ Cozmos, who he aligned himself with to form King Coz. It’s amazing to see how these two, nearly a generation apart, seem to have been cut from the same cloth.

I don’t think Midas ever takes a day off. He’s always working on music. Sometimes working on tracks just for practice. Not too long ago, he worked on a track for about 12 hours, only to discard it at the end of the day. He understands that some of your greatest lessons are learned from failures.

His home contains “The Gold Room” where the HISD collective meets every week to write, record, and debate. It’s a haven for creativity, and they’re all fortunate to have a place where they can tap into that synergy and bring ideas to life.

A simple blog post won’t give you an idea of how far-reaching his talent is. I’ll let his body of work over the next year or so speak for itself. And yes – i’m documenting every move. He’s one to watch.

-Damien-

By the way, he co-produced the KO “Willie Turner” project with DJ Cozmos. Here’s a taste:

The Legendary KO “Ch 2 – Laid Off (Snippet)” from The Ballad of Willie Turner

Background music: Lower Life Form “Move To The Side”  (Produced by Soul One)

Lower Life Form is hosting The Standard. Coincidence? No.

More below:

Soul One was the person that introduced me to H.I.S.D.

I’d already known him for years as one of the “young boys” on the scene, an up and coming DJ who kind of studied under the wing of DJ Cipher. Kind of an interesting read because he started as a DJ with no real affiliation; he made a name for himself through his own accord.

He was part of the crew that played ball at a local YMCA on Sunday nights. This was when I had hops. I think it was one of those Sundays when he first told me about H.I.S.D.:

(Pulled from my fragmented memory)

Me: “So what are you working on these days. I see that you’ve started producing now.”

Soul One: “Actually, i’m working on an album now with this new crew. Kind of like a collective.”

“Anybody I know?”

“Maybe. You heard of Savvi?”

“Yeah, Savvi’s cool. I finally met him not too long ago. I told him we need to work together.”

“Well, Savvi kinda put this group together. It’s like 4 MCs and 3 or 4 producers.”

“Damn – putting together your own Wildstyle!”

{Muted laugh} “Heh. Yeah, it’s really kinda cool”

“What’s it called?”

{Pause to figure out how he’s going to explain it} “Okay. The name of the crew is H.I.S.D.”

“Like… the school district?”

“Yeah but no. It stands for Hueston Independent Spit District, But Hueston is spelled with an H-U-E instead of H-O-U.”

“Okay – I follow you.”

“The one thing we’re still working on is the ‘S’, because it can really stand for anything, like Soul or Slang-”

“Or Southside.”

{Very reluctant laugh} “No – not really.”

I may have embellished the last part of my story, but I credit Soul One with introducing me to this collective of talent. He functions as their DJ, and 1/3 of their production team.

Whatever you do, don’t ask him about the time he tried to throw me an alley-oop; he’s thought little of me ever since.

-Damien-

More below:

From Damien -

Of all the members of H.I.S.D., Ldavoice probably has the name that fits him best. He might tell you that it’s because he used to sing or that his voice is an instrument of change that should be broadcast for all to hear. These are valid arguments, but I think the name fits him best because his voice is the one thing that makes the most lasting impression on you. He uses his voice A LOT.

And not in a bad way, mind you. (He probably has a smirk while he’s reading this.) You’ll learn that he’s very passionate about almost everything, and will easily engage you in a discussion about nearly anything. In an age of apathy and diluted opinions, he’s a rare breed of person who is not reluctant to have an opinion and offer it when many tend to shy away from opinions.

If you ever get the chance to sit in on one of HISD’s infamous “debate” sessions, you’ll notice that he’s the one in the middle of the room, animatedly attacking the discussion from all sides. The kid has a lot to say, and you WILL hear it. While reviewing the footage from this interview, I quickly discovered that he had twice as much footage as everyone else. There is no question that he won’t answer. Again – he has a lot to say, and you WILL hear it.

Fun facts about L:

1. He’s a Gemini (greatest zodiac sign of them all)

2. He ran a 4.2 4.5 40 as a sophomore in high school. (I might have to race him someday and test this)

-Damien-

Day 2 of HISD WEEK delivers an intimate portrait of Scottie Spitten, the first team letterman of the crew. Visuals by Flash Gordon Parks. Musical backdrop – “On Fire” from The Gold Room EP.

Catch Scottie with the rest of HISD at The Standard this Friday

Keep reading:

From Damien -

I was kind of slow. It took me a while to realize that Scottie and King Midas were brothers. But I digress.

Scottie reminds me of my roommate from college: heavily into music and basketball; huge fan of the 90’s Chicago Bulls; Scottie Pippen is his favorite player. When you ask him why – it’s because Pippen was perhaps the most underrated player in the history of the NBA. But it’s easy to get overlooked when you’re standing in the shadow of the greatest player of all time.

When Michael Jordan gave his acceptance speech at the Basketball Hall of Fame, the first words that came out of his mouth were in gratitude to Scottie Pippen. He hadn’t even officially started his speech yet. Hadn’t thanked God or his parents. He thanked Scottie Pippen. It’s because Jordan knew that for all his accolades, all his greatness, Scottie Pippen was the cornerstone to his legacy.

In time, Scottie Spitten of H.I.S.D. might share the same legacy. From my interactions with the crew, it’s become evident that Scottie is the emotional anchor of the squad. He’s usually the first to write a verse to a new track, and often sets the tone and direction of any given song. In street clothes, he’s quiet and unassuming. You’d never know he was an MC. When game time comes he’s all business, and tends to his work with an enthusiasm unmatched by many of his peers outside the HISD circle. He studies the music as much as he studies basketball, surveying every angle and honing his game so that each move is executed to perfection. (How’s that for hyperbole?)

He also subscribes to NBA League Pass, and claims to watch every game every night. If you see him, ask what the score is… I bet he knows.

-Damien-

In honor of H.I.S.D.’s appearance at the November edition of The Standard this Friday, Nov. 13, we’re dedicating the entire week to the collective that is the future of hip hop in Houston. We start it off with Savvi and EQuality, also known as Blak Embassy.

Visuals by Flash Gordon Parks

More after the jump.

I first ran into Savvi a few years ago at what I believe was a Peace Uv Mine show, right around the time that he released his “Hueston Chronicles” CD. I’d heard of him before, but this was the first time that I’d actually seen him in person. What I remember most about that show (with my fading memory) was him being flanked on stage by a legion of singers and musicians, maybe another rapper. Here was this guy that I’d never heard of who seemingly already had a bit of a following, while managing a stable of talent all on his own. Props given.

After his set, I introduced myself to him, and promised that we’d work together someday. That day came a few years later with “Summer So Good” from the Summer Sessions EP.

EQuality was one of those guys that I knew before I knew who he was (if that makes any sense). I’d seen him at all the spots, but didn’t know he was the fabled EQ from HISD until a meeting at a mutual friend’s residence. I thought that he was FWMJ’s distant cousin, because they favor each other so much. Not too long after, I would stumble upon him in his natural element at a spoken word function. Think Gil Scott Heron meets Andre 3000 meets Charles Mingus. That’s EQ.

Check out Savvi and EQ, along with the rest of the HISD collective, at this Friday’s edition of The Standard.

HISD’s website: Peace Uv Mine

The last in a series of clips from our recent performance with D. Rose and The Niyat. We saved the best for last – “There Can Only Be One”.

From Remix (who was holding the camera):

“Ya know, when we walked in through the backstage, I had the camera on the guys the entire time. You could see that they weren’t taking themselves too seriously. They’re a group of regular guys with their own identities and personalities who have talents. They know they’re not pseudo-celebrities, or arrogant artists who can’t see through their own egos.

When we all hit the stage, the crowd was definitely expecting Tech Nine, but within 2 verses the boys won them over. Once ‘There Can Be Only One’ came on, they started really WATCHING. They were looking at the stage at first, but after a minute or so, they were intently watching. It was an interesting change.

As soon as the set was over, the boys all went back to being the same people they were before we went on: quiet, humble, funny, witty, interesting people capable of holding ACTUAL conversations and not feeling themselves because they can jump on stage and rap. They were normal people with no egos or misconceptions about who they are and what they do. Immediately we went back to talking about whatever inane, unimportant topic we were ranting about earlier, probably picking on each other.

A lot of the magic of these guys is really lost through the camera, but hopefully we can show it somehow over time.”

-Remix

The KO Show – Episode 2.2: “The Science” from Ethos Music Group on Vimeo.

Talk about irony – after knowing the members of The Niyat for over 15 years , this was the first time that we actually shared the same stage at the same time. Sure, we’ve had showcases together where we perform on separate sets, but this was a milestone for us.

This particular performance is a good study for younger musicians. No matter where you are in your career, you’ll occasionally come across crowds that are largely unfamiliar with your music. This show was a perfect example of that. Over the years, i’ve seen a lot of less experienced artists run into this situation, and are shocked because the audience isn’t really reacting to their show. Then they berate the audience and tell them “ya’ll ain’t feeling me” or “I thought {insert name of city here} knew what real music was!” Wrong move.

If you look closely at the video here, you’ll notice that the crowd - who has no idea who we are - are just kind of standing there and studying us. Listening. They came to see Tech N9ne. And when it came time for the crowd participation, they were right there with us. That’s a good sign.

So don’t get discouraged if you’re faced with an unfamiliar crowd and they’re not jumping through the ceiling for you. Do you best show, get them involved on some crowd participation, and if you’re opening for the headliner that they came to see – shout out the headliner.

Enjoy.

This is the first of a special 3-part edition of The Show, co-starring D. Rose and The Niyat. We take you behind the scenes of a recent performance.

The KO Show – Episode 2.1 “Before The Show” from Ethos Music Group on Vimeo.

On Nov 3rd, we opened a show with Slaughterhouse and Tech N9ne as the headliner. We knew that it was going to be a pretty serious show, so we brought in D. Rose and The Niyat to make sure that the heavy hitters were represented. We’d heard about Tech N9ne’s fans and the Juggalo culture, but never really experienced them for ourselves.

Yeah…

They’re… interesting, to say the least. When you look at the video, you can tell that we’re a little apprehensive right before we hit the stage, but it turned out to be a good performance.

“Cameos” from members of Slaughterhouse.

This is part 1 of 3.  Tomorrow we’ll premiere the performance of “The Science”. Thanks again to D. Rose and The Niyat. We’ll definitely have to do this more often! Thanks to Remix for the camera work.

We take a step aside from our normal programming to bring exclusive footage of a highly competitive game of chess between KO’s Damien, and the owner of HoustonHipHop.com, Remix.

The KO Show – Damien vs. Remix in Chess from Ethos Music Group on Vimeo.

We’ll have some more KO Show later this week. In the meantime, enjoy this Southside vs Northside rivalry take a turn to the extreme  – with a game of chess. Without giving away the result, let’s just say that the perspn that lost the match on film redeemed themselves by winning when the cameras were turned off. A tiebreaker is eminent.

In this week’s episode: Coz is still MIA; D. Rose writes another classic in the studio, and reveals some info about the lineup for the album.

D. Rose’s Weekly Journal: Episode 03 – “Next Next NEXT Week” from Ethos Music Group on Vimeo.

In the debut of The KO Show, we take a look on the set of Willie Turner, and Big Mon discusses his priorities – music vs. education. Co-starring D Rose, Brew and PhD from Lower Life Form, and DJ Remix.

The KO Show: Episode 01 – “On The Set Of Willie Turner” from Ethos Music Group on Vimeo.

With DJ Cozmos at home playing Mr. Mom this week, we continue working on the new album, notching another 2 songs in the belt. Along the way, D Rose also receives and unexpected compliment.

D. Rose’s Weekly Journal – Episode 02: “Perfect Shaped Head” from Ethos Music Group on Vimeo.

Second installment of D Rose’s Weekly Journal.

The “Weekly Journal” is a new series from D. Rose and DJ Cozmos, that documents the creation of their follow up to the critically-acclaimed “Taster’s Choice”. We’re going to follow their progress every week; it’s an unprecedented look behind the scenes…

D. Rose’s Weekly Journal – Episode 1: “Sandpaper and Champagne” from Ethos Music Group on Vimeo.

Michele’s live performance from the inaugural edition of “The Standard”.

Oct 2, 2009

Michele Thibeaux – “Babylon Soldier” (Live) from Ethos Music Group on Vimeo.

In part 5 of my interview with Michele Thibeaux, she concludes the week with her thoughts on tonight’s performance at “The Standard”, and why an event like this is sorely needed in our scene. Make sure to check after the jump for an exclusive sampler of her new project!

Get To Know Michele Thibeaux (Part 5 of 5) from Ethos Music Group on Vimeo.

If you’re in the Houston area, be sure to check her out tonight (Oct. 2) at the inaugural edition of “The Standard”. Located in the “Green Room Lounge” of Warehouse Live. DJ Cashless is keeping us on our toes all night. 813 St. Emanuel St. Houston, TX 77003. No cover. No dress code. No B.S.

FINALLY – Here’s an exclusive sampler of “Hey DJ: Experience Michele Thibeaux” courtesy of our friends at Peace Uv Mine Ent. Mixed by the multi-talented DJ Flash Gordon Parks.

Hey DJ: Experience Michele Thibeaux Sampler (Mixed by DJ Flash Gordon Parks)

Great artists tend to surround themselves with other talented, like-minded individuals that continue to shape and influence them. In part 4 of my interview with Michele, she talks about her circle of kindred spirits that she draws on for inspiration.

Make sure to look below the jump for some music featuring Michele, as well as a special honor that she recently received!

Get To Know Michele Thibeaux (Part 4 of 5) from Ethos Music Group on Vimeo.

Also: Michele was featured as “Artist of The Week” in the Houston Press. Click the link below to read the feature, and support her by commenting there:

Michele Thibeaux – Artist of The Week

But WAIT – as an additional bonus, here’s H.I.S.D. featuring Michele Thibeaux:

“Runnin”

Join us tomorrow as we conclude our week of Michele Thibeaux with a special preview of her new project!

In part 3 of my interview with Michele, she talks about some of the things that continue to inspire her.

Watch her perform live this Friday, Oct 2 at “The Standard” in Houston.

Get To Know Michele Thibeaux (Part 3 of 5) from Ethos Music Group on Vimeo.

Featured Music: Lower Life Form feat. Michele Thibeaux – “Same Ol’ Song”

Part 2 of our continuing discussion with Michele.

Today Michele anwers the question: “What was your worst show ever?” As a veteran of live performances, Michele has had a fair share of stellar performances. It takes a truly humble person to laugh at one of her most forgettable moments.

Michele Thibeaux – Worst Show Ever from Ethos Music Group on Vimeo.

Catch Michele live at “The Standard” – this Friday, Oct 2.

Join us tomorrow for part 3 of “Get To Know Michele Thibeaux”.

It feels like I’ve known Michele Thibeaux forever. Maybe it’s because I already knew her before I even met her. (The circumstances around that involve another story for another time, with Michele’s permission.) In fact, almost everyone who has the pleasure of meeting Michele have already known about her.

Get To Know Michele Thibeaux from Ethos Music Group on Vimeo.

Music Playing: The Legendary KO feat. Michele Thibeaux - “Be Your Addiction”

Additional instrumentation by Denis Cisneros of Neon Collars

Ironically, though I’ve known Michele for the better part of 15 years, I’m always surprised by the duality of her being. She’s a songstress with a style and presence that command attention – but she’s the sweetest, kindest person you’ll ever come across. She’s a soul singer with the sensibilities of an MC. Imagine Amel Lerrieux in an Adidas tracksuit. That’s Michele Thibeaux.

I always have a tough time “interviewing” people that I already know well. So when we sat down recently to talk about 1) Her being a southern transplant from the west coast; 2) What it’s like being a champion of the open mic circuit; and 3)What the near future holds, we spent an inordinate time discussing our affinity for Adidas sneakers and the pleasures of home-cooked food. That’s Michele Thibeaux.

In honor of her upcoming performance at the inaugural edition of “The Standard” on Oct. 2nd, we’re going to spend an entire week her. Today she gives us some insight on how she arrived here, the importance of experiencing the “open mic”, quick overview of her new project.

“The Ballad Of Willie Turner” Explained from Ethos Music Group on Vimeo.

Ethos Music Group, in conjunction with Rappers I Know, are joining forces to develop a project that may very well revolutionize how music is made and presented in the near future. The Legendary KO explains what “The Ballad Of Willie Turner” is:

From Damien (of The Legendary KO):

We finally get to reveal what we’ve been working on for the last few months: “The Ballad Of Willie Turner”, a 6 chapter EP that will be presented in a visual format.

This clip is an advance look at a project that will hopefully revolutionize the way that music is presented going forward. We’ll give you more as it progresses; we still have a lot of work ahead of us. Can’t let everything out of the bag just yet.

And judging by the dark circles under my eyes in the video, I need to get some more sleep.

P.S. – As a bonus, Big Mon relives one of his most memorable days at work.